Major Notes In Minor Pentatonic

I’ve been working on updating this series of GT tutorials on spicing up blues licks.  The central idea is to use the minor pentatonic boxes we know and love as guitarists, but to target chord tones.  This means that you can use those familiar pentatonic boxes as a visual reference, but to add spice by targeting major chord tones from the dominant seventh chords in the standard 12 bar blues changes.

This works well because it’s one of the reasons “blues” sounds like it does: the use of minor notes in a primarily major harmonic context.  So, in order to make our blues sound better, we should incorporate major notes into the minor scales when we play melodic lines!

Notice that if you play the major third of the A major chord along with the A minor pentatonic scale, then you immediately get an distinctly “bluesy” sound.

GT recently made some of the lessons in this first tutorial free to view!

https://www.guitartricks.com/tutorial.php?input=217

 

Here’s a demo of the play along!  Enjoy!

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Fast Blues Lick Lesson

Here’s a short lesson on sequencing pentatonic minor in 3s to use as a fast blues lick.

I have in depth GT tutorials on playing this pattern across the fretboard in all 5 pentatonic boxes.

Major pentatonic
https://www.guitartricks.com/tutorial.php?input=722

Minor pentatonic
https://www.guitartricks.com/tutorial.php?input=185

Enjoy!  Play more guitar!

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Rise

When I finished writing and recording “Prometheus” in 2013 I had a few unused melodies & ideas left over.  They became the beginning of the compositional process for “Rise”.

https://itunes.apple.com/us/album/rise/id1180714168

Once again, the focus is on long, heroic melodies & epic themes done with electric guitar & rock instrumentation!  But this time there are six pieces & the storyline is more abstract.  Each one of the six tracks is titled with one word that conveys a concept to move the stereotypical story arc forward.
There are 3 melodic themes used in this long introductory piece.  They areinterconnected, or integrated, by means of being modulated through different keys, worked through variations & played at various dynamic levels.

The 1st track of “Rise” is “Struggle”.

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